Tuesday, September 3, 2019
Essay --
Evan Smeenge Professor Stabler HST 303 01/31/14 From Ideal to Destruction John Gastââ¬â¢s painting titled American Progress perfectly portrays the idea of manifest destiny that engulfed the minds of Americans. Portrayed in the right side of the painting is indubitable western influence with boats, a bridge in the distance, and trains with little or no track in front of them which allows the mind to conclude the newcomers are pushing west. In the middle of the landscape are horses, buggies, and covered wagons, showing a slight increase in modernity compared to what is shown in the far left of the painting, Indians or better known by 18th and 19th century Europeans as savages. Gast also places the portrayal of western influence in the light portion of the piece, and the old primitive way of live portrayed by savages on the dark side of the piece. This is not coincidence, primitive behavior was viewed as improper and it needed enlightenment this is precisely what Gast presents in American Progress. In the bottom left corner an animal shows its teeth, which could be a signal of the dangers to moving west. What is probably noticed first however is the woman in the center of the painting. The angel, the guiding light of Manifest Destiny the one who is bringing the light that you see so prominently in the right side of the painting. Manifest Destiny was thought of as Godââ¬â¢s call to bring western enlightenment to the west. Those who were enlightened and civilizations created by those who were enlightened were viewed as utopian. However, eleven years before Gast painted American Progress was the start of a war that rattled America. Westward expansion and subsequent acquisition of the west was fought over and the utopian ideal Gast portrays was... ...h and the South wanted the territory for themselves. The North wanted to expand its industrial fingers to better their economy, but the South wanted more land for plantations to also better their economy. First, the Wilmot Proviso established popular sovereignty as the new factor that decided what side was going to obtain the land. This angered the South because they were frightened that their voice would be lost, and subsequently slavery would be demolished. However, the North felt anger after Stephen Douglass proposed the Kansas-Nebraska Act of 1854, which repealed the Missouri Compromise of 1820 and allowed any white male settler to decide if the new territory would be slave or free. With Southern white men trying to make the territories slave territories, the North were furious and started bleeding Kansas, which arguably was the spark that ignited the Civil War.
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